Arguing with Angels: Enochian Magic & Modern Occulture (SUNY by Egil Asprem

By Egil Asprem

This interesting paintings explores John Dee’s Enochian magic and the historical past of its reception. Dee (1527–1608/9), an complete common thinker and member of Queen Elizabeth I’s court docket, was once additionally an esoteric researcher whose diaries aspect years of conversations with angels accomplished by way of crystal-gazer Edward Kelley. His Enochian magic bargains a mode for contacting angels and demons in response to secrets and techniques present in the apocryphal booklet of Enoch.

Examining this magical procedure from its Renaissance origins to offer day occultism, Egil Asprem exhibits how the reception of Dee’s magic is replete with struggles to build and negotiate authoritative interpretational frameworks for doing magic. Arguing with Angels deals a unique, nuanced method of questions about how ritual magic has survived the arrival of modernity and demonstrates the ways that sleek tradition has recreated magical discourse.

Egil Asprem is a learn Fellow on the heart for historical past of airtight Philosophy and similar Currents on the collage of Amsterdam, the Netherlands.

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Extra resources for Arguing with Angels: Enochian Magic & Modern Occulture (SUNY series in Western Esoteric Traditions)

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Associated with the image of a staircase, and why all the dramatic events he described in his works-love, death, or crime-hap­ pened upon a staircase. me consciousness, the approach towards that reality arouses an ambi­ valent feeling, of fear and ofjoy, of attraction and repulsion, etc. The ideas of sanctification, of death, love and deliverance are all involved in the symbolism of stairs. Indeed, each of these modes of being represents a cessation of the profane human condition ; that is, a breaking of the ontological plane.

219 ff. ; 23 C£ our Giuseppe Tucci, Teoria e pratica del mandala, Rome, 1949 ; on the symbolism of see C. G. Jung, Psychology and Alchemy, London, I9S3, pp. 91 ff. ; and the same author's Gestalt11ngen des Ur1bewusstcn, Zurich, 1950, pp 187 ff. the mandala, . Symbolism of the " Centre " 53 regarded as equivalent to the well-known rite of walking round a temple (pradakshina), or to the progressive elevation, terrace by terrace, up to the "pure lands" at the highest levels of the temple. On the other hand, the placing of the neophyte in a mandala may be likened to the initiation by entry into a labyrinth : certain mandalas have, mo reover, a clearly labyrinthine character.

But it may be said at once that if the historians of religions had only approached the objects of their study from a more spiritual standpoint, if they had tried to gain a deeper insight into archaic religious symbolisms, many psychological or psychoanalytic inter­ pretations, which look all too flimsy to a specialist's eye, would never have been suggested. ae by taking over the work of the historians of religions by putting forward general-and too often rash-hypotheses. In few words, the difficulties that have to be overcome today are these : (a) on the one hand, having decided to compete for the prestige of an objective "scientific" historiography, the history of religions is obliged to face the objections that can be raised against historicism as such ; and (b) on the other hand, it is also obliged to take up the challenge lately presented to it by psycho­ logy in general-and particularly by depth-psychology, which, now that it is beginning to work directly upon the historico­ rcligious data, is putting forward working hypotheses more promising, more productive, or at any rate more sensational, than those that are current among historians of religion.

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